OLD SCHOOL BLUE BLUES
The Blues ain’t perfect; the Blues is life. – Billy Cox
Debut Album From BILLY COX
Hear and listen to Billy Cox L.A. LIVE The GRAMMY Museum
Blue Wild Angel: Jimi Hendrix Live At The Isle of Wight.On Dec. 8
By Fred Starr
Hollywood,CA(Hollywood Today)12/3/11/—In 2009 Billy Cox was inducted into The Musicians Hall Of Fame; in 2010 he was honored with Experience Music Project’s Founders Award and earlier this year he was inducted into the West Virginia Music Hall Of Fame. With the honors and accolades pouring in, thick and fast, it would be understandable if he were to rest on his laurels. But that’s just not the Billy Cox way. He’s been a music man in motion for more than 50 years and shows no signs of slowing down. His latest album release, Old School Blue Blues, is a testament to his inexhaustible energy fervor and drive. To borrow from the album’s first — and last — track, he keeps “Rockin’ And Rollin’ On.” The album is something of a plea for a return to authenticity in music, both in terms of message and in the process by which it was created.
Of course, Billy is best known as the musician who worked with Jimi Hendrix before the Jimi Hendrix Experience was conceived, after the Jimi Hendrix Experience disbanded as part of the Band of Gypsys and, thereafter, as part of the Jimi Hendrix Experience when it coalesced again for the last time. Billy might have been involved without interruption in light of the fact that Jimi had asked him to go with him to England after he was “discovered” by Chas Chandler in New York. Billy simply wasn’t able to afford the fare to New York to meet up with Jimi. When Jimi reached out to him again before The Band of Gypsys was formed, Billy’s financial circumstance had dramatically improved. Though he had become more established and had his own office on Nashville’s music row, he dropped everything when Jimi asked him, yet again, to join him.
Of course, the blues roots that underpin Jimi’s music and have always been part of Billy’s are still the fundament of the music heard on Old School Blue Blues. The title song says it all as Billy notes, “It’s about real feel. The blues that we grew up with is a part of the fabric of our lives. This is a song about a people and the lives they lived on a day to day basis.” Billy’s dedication to integrity of expression, coupled with his ability to convey real human emotion through music, is what keeps him going after so many of his compatriots, colleagues and collaborators have fallen by the wayside.
Released on Billy’s Gypsy Sun imprint and available through CD Baby, Amazon, iTunes, bassistbillycox.com and jimihendrix.com, the new album follows 2009’s Last Gypsy Standing and the title song of that set is reprised on the new one, albeit with a fresh new mix. “I wanted to reiterate what it was all about,” says Cox who continues to live and work in Nashville. It was in “Music City” that he and Hendrix found themselves encountering the top attractions of the ‘chitlin’ circuit’ back in the early 1960s. While it’s logical to associate Nashville with country music, a confluence of historically African-American colleges and universities (Fisk, Tennessee State, Meharry Medical, etc.) attracted big name stars to perform in the market. As part of the house band at The New Era Club, Billy found himself backing a who’s who of blues/soul/R&B including Nappy Brown, Charles Brown, Wilson Pickett, Mitty Collier, Johnnie Taylor and Little Johnny Taylor, Joe Henderson and many more. Then there was that magical night at Club Baron when Sam Cooke and Jackie Wilson showed up after an arena concert gig and jammed with the guys. Yes, Sam Cooke, Jackie Wilson, Jimi Hendrix and Billy Cox shared the same stage. It was a special time even though there were some low points, like when Billy’s pet monkey relieved itself on Bobby Blue Bland while Bobby was having his hair styled at a Nashville salon. Those were the days!
That old school feeling is imprinted in Billy’s DNA and it’s reflected in all of the tracks on Old School Blue Blues. Billy explains that ‘old school feel’ is engendered by skilled musicianship, the intimate relationship between musician and his instrument and lyrics that deal with reality and true emotional expression. Not to cast aspersions, and Billy would be the last to do so, but the album is in sharp contrast to most of the automated contemporary drivel that passes itself off as music. It’s what’s real versus the artificial. There is a difference.
All of the songs on the album are originals, written by Billy and his wife and life partner Brenda Carnell. The songs are personal, of course, but all within the blues/rock/R&B tradition. Billy notes “We have ‘Rockin’ and Rolling On’ at the beginning. It lets everyone know that I am still a hard rocking m***** *****r. I keep saying it; that’s all Jimi Hendrix played. It was nothing but loud blues. And besides, I have always been ahead of my time. I am the one who discovered Jimi Hendrix. Music has lost its way; we need to get back to the fundamentals so that music can move forward again.” The song is, in a way, Billy’s rallying call and mission statement and tells the story of his perseverance. The whole album is, to borrow from the past, a true ‘experience’ and reflects a lifetime of a man.
Another standout is “I’mma Pilgrim” and, yes, the “southern spelling” is intentional. It’s a “juke the juke” kind of song based on a bass pattern that Billy had whipped up.
The album was recorded in just one month with backing very much in keeping with Billy’s basic blues/rock ethos: guitars, drums, a bit of keyboard and, of course, that rock-solid bass. Most of the songs were nailed in just a few takes. Synthesizers? Auto-tune? C’mon, this is Billy Cox, a musician’s musician if ever there was one.
By the way, the Fender Precision bass that Billy played on most of the album’s tracks and that’s seen in the packaging art is the very same one used for session work, including with Jimi, since 1963. That’s Billy – stay with what works for you. That’s the real
Old School Blue Blues.
Tracklisting
1. Rock’ and Rollin’ On
2. Old School Blue Blues
3 I’mma Pilgrim
4. Woke Up With That
5. You Can’t Tell
6. The Last Gypsy Standing
7. A Day Late and A Dollar Short
8. A special Kind of Woman
9. Train Stops Here
10. Mamacita
11. The Magic of Dance
12 Rock’ and Rollin’ On / Part II
Reel to Reel: Blue Wild Angel: Jimi Hendrix At The Isle of Wight
At The GRAMMY Museum
All-Star Panel To Discuss Essential Hendrix Documentary On Dec. 8
LOS ANGELES (November, 2011) – Jimi Hendrix is recognized as one of the most creative and influential musicians of the 20th century. His innovative style and explosive abilities on the electric guitar captivated a worldwide audience. During the early morning hours of August 31, 1970, during his last tour, Hendrix headlined the Isle of Wight Festival and performed before an audience of 600,000–the largest of his career. Three weeks later, Hendrix was gone. Academy Award-winner Murray Lerner captured the historic performance of the Jimi Hendrix Experience, including Hendrix, Mitch Mitchell and Billy Cox. Join us as we present Lerner’s film, Blue Wild Angel: Jimi Hendrix Live At The Isle of Wight. The film, a testimony to Hendrix’s incomparable musicianship and showmanship as well as Lerner’s cinematic artistry, will be introduced by Janie Hendrix, the late guitarist’s sister and President of Experience Hendrix LLC. Following the screening there will be a panel discussion moderated by the GRAMMY Museum’s Executive Director Bob Santelli with Billy Cox, bassist of the Jimi Hendrix Experience and Jimi Hendrix Band of Gypsys, filmmaker Murray Lerner and John McDermott, Producer and Catalog Director of the Experience Hendrix catalog and co-author of Jimi Hendrix: Sessions: The Complete Studio Recording Sessions, 1963-1970 and Ultimate Hendrix: An Illustrated Encyclopedia of live Concerts & Sessions
WHO: Billy Cox: Bassist, Jimi Hendrix Experience
Janie Hendrix: President, Experience Hendrix LLC and sister to Jimi Hendrix
Murray Lerner: Director, Blue Wild Angel: Jimi Hendrix At The Isle of Wight
John McDermott: Producer and Catalog Director, Experience Hendrix Catalogue
Bob Santelli : Moderator / Executive Director, The GRAMMY Museum
WHEN: Thursday, December 8, 2011; 7:30 p.m.
WHERE: The GRAMMY Museum at L.A. LIVE
800 W. Olympic Blvd., Suite 200 , Los Angeles , CA 90015
(Near the corner of Figueroa Street and Olympic Boulevard)
TICKET INFO: Doors open at 7:00 pm. American Express presale tickets are $10 and can be purchased online by American Express Card members starting Monday, November 14, at noon. Public onsale is Friday, December 2, at noon. American Express is the exclusive payment method for presale tickets. American Express ticket purchasers will also receive a special gift. All proceeds benefit the GRAMMY Museum . For more information, please call 213.765.6803






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