Vantrease novel The Heretic’s Wife features heroine risking being burned at the stake in order to smuggle Protestant Bibles, meanwhile Anne Boleyn pushes Henry VIII to break from the Catholic church **** 4 Stars
by Gabrielle Pantera

The Heretic's Wife, religious intrigue in the court of Henry the VIII
HOLLYWOOD, CA (Hollywood Today) 7/6/2010 - “The idea for The Heretic’s Wife emerged naturally as I followed the historical themes of my first two books, The Illuminator and The Mercy Seller,” says The Heretic’s Wife author Brenda Rickman Vantrease. “Although each novel stands alone, when taken together with The Heretic’s Wife, they form a trilogy.”
The Heretic’s Wife is the story of Kate Gough and her brother John who sell smuggled Protestant bibles in England during the Tudor rule. When John is arrested, he recants and leaves London. Kate continues with their mission alone. She falls in love with Bible translator John Frith. As Thomas More burns heritics, Henry VIII is being influenced by Anne Bolyn to break away from the Catholic church. More is increasingly obsessed with torturing heretics. When Kate and her husband John return to England, will they survive More and not burned at the stake?
The Heritic’s Wife is about the efforts of ordinary people to move religious freedom forward. Henry VIII, Anne Boleyn, Sir Thomas Moore, and Cardinal Wolsey keep the story moving.
“In my research of the Reformation, I stumbled across the fact that Anne Boleyn was strongly influenced by Lutheran ideas,” says Vantrease. “I discovered there was another side of Sir Thomas More of saintly legend…as represented in A Man For All Seasons. Through several respected sources I discovered that Thomas More was a fierce and manic heretic hunter, to the point of fanatical obsession.”
“Then I found the brilliant and charming, and by all accounts quite handsome, young scholar and Bible translator named John Frith,” says Vantrease. “Well, I had my heretic.
The historical record mentions Frith had a wife but that’s all we know about her, so I had plenty of license to fictionalize her as my heroine.”
“There it was, just screaming to be written,” says Vantrease, “a love story about the perils of faith and the dangers of fanaticism and set among the Tudors who never fail to fascinate.”
“I am essentially a book person,” says Vantrease. “I have collected books on arcane facets of English history for all my adult life. Even when I was barely existing on a first year teacher’s salary I would mail-order books on everything from costumes and flowers, to political histories and social histories, from aspects of peasant life to court customs. I’d wonder when those books came, why I didn’t at least include a good novel or two. But those are the books I readily go to now, both to find my stories and to supply the detail I need for historical authenticity.”
Religion is a consistent theme in Vantrease’s novels. The Heretic’s Wife is a story of the English Reformation and the translation of the Bible into English.
Vantrease’s first novel was inspired by reading of Julian in Norwich’s Divine Revelations. “I was fascinated by this first woman to write in an emerging English language, fascinated by her ideas about the nature of God and wanted to write about her,” says Vantrease. “However, I soon discovered that I wasn’t holy enough to spend that much time in the head of a contemplative anchoress, so I began to explore her time. Out of that exploration, emerged the ideas underpinning my novels, which I think are as much about freedom and abuse of power as they are about religion.”
“I just followed the arc of the history that I had explored in The Illuminator and The Mercy Seller, from the first stirrings in the fourteenth century of trying to make the Bible available in the language of the people with the influence of Wycliffe, to fifteenth century Prague with the influence of Jan Hus,” says Vantrease. “For The Heretic’s Wife, I chose the English Reformation, even though it was more political and less religious in nature than the Lutheran Reformation happening on the continent, because I was specifically interested in the development of the Bible in English.”
“I came to realize the value of the internet when I was writing The Mercy Seller,” says Vantrease. “After searching through my printed sources for a couple of days to try to find a medieval pregnancy test, I went to the Internet and found what I needed in about five minutes.” Many historical documents, such as the love letters of Henry and Anne Boleyn and ancient maps, are readily available on the Web.
Vantrease also does research in person. “I love to travel in England, love to crawl through ancient ruins, old castles, dungeons, abbeys, and absorb the hushed and time-laden atmosphere of the ancient cathedrals,” says Vantrease. “But I do this more for inspiration than research. Early in the writing of The Heretic’s Wife, I visited Hampton Court for the first time and was so taken with The Tudor Kitchens that I set a couple of scenes there.”
“One of the interesting things I’ve observed is reader reaction to endings,” says Vantrease. “I never realized that many readers are so invested in whether or not a story has a happy ending. Some readers protested the tragic ending of The Illuminator and now others protest the happy ending of The Heretic’s Wife. I remember that Charles Dickens was so castigated by readers for his less-than-happy ending for Great Expectations he relented and offered a second, happier ending. I don’t think I could do that. Maybe we should all put warnings on the cover. Caution, only for those who want a good cry. Or, get your happy ending here.”
Vantrease’s agent is Harvey Klinger, of Harvey Klinger Literary Agency. “All the advice books for writers tell you that the best way to find an agent is through networking,” says Vantrease. “Well that didn’t work for me. The Illuminator was rejected by my best writer friend’s agent and also by two agents I had met at a workshop. I found Harvey the hard way, through a query letter. Looking back, I realize how fortunate that I was to have been turned down by the others because I would never have found the agent I have.”
“When I first pitched my idea in very broad terms to my agent and told him that Sir Thomas More was to be one of my main characters, his response was very enthusiastic,” says Vantrease. “It seems Thomas More had been one of his childhood heroes. There was a long pause over the phone, and I said, ‘Uh, Harvey, Thomas More is more villain than hero in this story’.”
With less enthusiasm, Vantrease’s agent said a few nice things about her writing, and told her to send him some chapters. “Those pages included the second chapter with Thomas More at home, brutally interrogating a suspected dissenter at his whipping post in the heart of his Chelsea garden,” says Vantrease. “I was a little anxious as I hit the send button. The story that was screaming to be told, suddenly wanted to whisper. What a relief it was to hear the enthusiasm in his voice once again, when he called a few days later.”
“The first good thing my agent did for me was to place me with Hope Dellon, Executive Editor at St. Martin’s Press,” says Vantrease. “It was a good match from the beginning. She has been with me for all three books.”
“My editor made the initial phone call, introducing herself, then my agent arranged a meeting with Sally Richardson, the publisher, and Hope Dellon, my editor, along with several other people from marketing, foreign rights, and so forth,” says Vantrease. “We met at the Flat Iron Building in New York where St. Martin’s is based.”
The actual editorial process began a few weeks later, with a few substantive changes and then after those were completed, the manuscript moved on to copy editing. Editorial suggestions were made on telephone or by email. The final edit was on a printed, copy-edited, typeset copy.
“Seeing the pages set in type for the first time is always a thrill, and a little scary because you know this is it,” says Vantrease. “But seeing the cover for the first time is the most thrilling. I am very grateful to St. Martin’s for giving me such beautiful covers.”
Of the three books in the trilogy, so far only The Illuminator has been optioned for film.
Vantrease lives in Nashville, Tennessee. She was born in a small rural town in middle-Tennessee. She’s currently in research mode probing the history of the English Civil War. “I don’t know if I’ll find my next story there or not, although shadowy characters are beginning to emerge,” says Vantrease.
Her website is brendarickmanvantrease.com.
The Heritic’s Wife by Brenda Rickman Vantrease
Hardcover book, 416 pages, Publisher: St. Martin’s Press (April 13, 2010), Language: English, ISBN: 9780312386993 $25.99








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